This study aims to examine the potential of chromatic spontaneity in non-objective art and to elucidate the aesthetic values inherent therein. It seeks to draw upon these values as a source of inspiration for the production of contemporary pictorial paintings, with the objective of establishing a conceptual and artistic linkage between spontaneity and non-objectivity in modern art. Furthermore, the study explores the extent to which modern artistic movements can be utilized within the field of painting as methodological and conceptual frameworks for artistic inspiration. The outcomes of the study are manifested in the production of pictorial artworks, thereby contributing to the enrichment of contemporary painting through an in-depth investigation of spontaneity and the expressive power and significance of color
The study is based on the hypothesis that the aesthetic values derived from chromatic spontaneity in non-objective art can be effectively employed to enrich contemporary painting. This is achieved through the systematic study and analytical examination of the distinctive features of chromatic spontaneity as reflected in contemporary non-objective pictorial works. To this end, the study adopts a descriptive-analytical methodology that focuses on the study of spontaneity, the expressive and formal characteristics of color, and the principles of non-objective art, with the aim of deriving new conceptual and visual approaches for contemporary pictorial painting. In addition, the study employs an experimental methodology through the practical application of the research findings in the production of contemporary pictorial works characterized by spontaneity, originality, and authenticity